Culture meets climate change – A herogram to producers



A capacity crowd of artists and writers at ArtsAdmin for our climate scenarios workshop

This is a herogram to the producers who make new creative work possible, and particularly those people and institutions who have gone out of their way to stimulate cultural responses to climate change. This ‘thank you’ feels a little overdue to be honest: the work myself, Robert Butler and Renata Tyszczuk have been doing together under the heading of Culture and Climate Change has depended on collaboration with the arts producers Vicky Long and Hannah Bird, and a further network spreading out beyond them. Vicky drove the delivery of our events and publication for Culture and Climate Change: Recordings, and Hannah has done likewise for ‘Narratives‘ and now ‘Scenarios‘.

Last night I enjoyed a really interesting and enjoyable few hours talking climate scenarios, and  the role that the arts might play in thinking about (past and) future climates. This was part of the Culture and Climate Change group’s Scenarios initiative, which includes three pilot artist residencies. The deadline for applications is 15th February.

Some great ideas and diverse provocations from academics: Kate Fletcher and Dilys Williams from the London College of Fashion Centre for Sustainable Fashion; Mark Maslin from UCL Geography and Renata Tyszczuk from University of Sheffield School of Architecture (Renata is the lead on our group’s Scenarios work). Clore Leadership Fellow and freelance arts producer Hannah Bird took everyone through the goals and process around the residencies (many aspects of which she designed) with great clarity.

We are experimenting with the notion of ‘network residencies’, and don’t think this has been tried before. Our goal is to support three selected artists as they follow climate scenario knowledge around networks rather than lodging them at one node. It is a pilot – lets see how it goes.

But partly prompted by a piece I read recently about the relatively invisible infrastructure of talent and hard work that makes good movies possible I want to pause and acknowledge the role of the producer. In our immediate work Hannah brings a sympathetic, though critical, understanding of both the arts and research worlds, and the capacity to give structure to ideas. I’ve learnt that it’s about much more than ‘making sure stuff gets done’. It is a subtle, creative and vital practice that is generally only noticed by the rest of the world by its absence.

We benefit from further producer experience via our advisory group. Our network residency project has been devised in collaboration with Rose Fenton who runs the Free Word Centre (home of a number of our meetings, and also generous host of a couple of our Culture and Climate Change: Narratives events) and Judith Knight who co-directs ArtsAdmin (our venue last night). The writer Tony White is another member of that group, bringing his experience of his own residencies and of supporting others (as well as his own interest in the question ‘where are the war artists of climate change?’).

My experience of all of these individuals and their organisations is that they are dogged, creative and generous. Above all generous because the work of the producer in this territory is as an enabler who rarely enjoys the spotlight shone on the successful creative people they commission or support. So I just want to list some of the bodies that I know have peddled very hard indeed to make space for creative people to respond to climate change. In alphabetical order, here is some of the work based in the UK that has supported what is now a very wide range of cultural work on climate change, and hence played a positive role in helping society make sense of this ‘difficult new knowledge’. Email me if I’ve missed something or someone that really deserves a mention – apologies in advance… (

Arts Admin have put on a string of their biannual ‘two degrees’ festivals but also many other events and support work. The festivals have included interventions spread across London but also make space to encounter work and debate the themes at their atmospheric Toynbee Hall home in Whitechapel.

Ashden Directory, which focused on material relating to performance and climate change from 2000 to 2014. Some of the writing that generated has been pulled together in Landing Stages (eds: Wallace Heim and Eleanor Margolies who have both supported varied activities in this field). Robert Butler is the writer and now also academic researcher who started the Ashden Directory, and with me and Renata Tyszczuk drives the Culture and Climate Change activity.

Cape Farewell, led by artist David Buckland, has produced expeditions and exhibitions that have drawn some leading cultural figures to the topic across 15 years, but also shared news of much wider work, e.g. through their recent partnership work with Projet Coal in creating the inclusive (online networked) festival ArtCOP21. The team currently includes Lucy Wood and Liv Gray.

The Culture and Climate Change group has been very lucky to work with Hannah Bird but also Vicky Long who were the team that put in the hard miles that made some of Cape Farewell’s most influential expeditions happen. Bullet Creative (who have helped us on a number of projects now including, currently, Stories of Change) are the design team that have made sure that work in this field is presented as engagingly as possible online and in print.

The Free Word Centre have invited writers of all forms, but particularly creative writers, to climate change themes, above all through their Weather Stations international collaboration and Weatherfronts workshop. That workshop was produced in collaboration with Tipping Point and our Culture and Climate Change group on account of the correspondence with our Narratives book and events.  Their climate related commissions and support work has ranged from enabling established international writers to creating opportunities for young Londoners. NB: Tipping Point and Free Word are putting on another workshop this summer.

The Happy Museums Network deserves mention. Wider than climate change, they want to push forward the idea that museums can play a much bigger role in promoting more sustainable societies. The network has been driven by Tony Butler, now head of Derby Museums Trust, Lucy Neal, Hilary Jennings and more. Lucy drew together a treasure house of a book showing how artists can make a positive difference in the world: Playing for Time.

Invisible Dust has been commissioning work linked to environmental change since 2009. It was founded by Alice Sharp, and has managed to pull together over £1m for commissions since starting out. In their own words: ‘Invisible Dust brings together artists, technologists and scientists to help illuminate these consequences and bring a sense of something human and fantastical to very invisible problems’.

Platform play a different role to the others mentioned here in that they have always had a clear and strong campaigning line (above all against the negative impacts of the fossil fuel industry). They are probably the longest established body working in this field in the UK, and their work includes research, commissions, campaigns and ‘interventions’ including most recently unofficial climate change teach-ins in major galleries that enjoy oil sponsorship.

Regen SW Arts and Energy Programme, led by Chloe Uden, demonstrates what can be done at both a regional and sectoral level to connect the arts to climate change. A particular focus has been to find engaging – often fun – ways of encouraging more positive visions of a renewably powered future.

TippingPoint have convened many thousands of conversations between researchers and arts/culture people via their open-space based events, and also commissioned work – often supporting development phases that later blossom into major works. Peter Gingold who devised and runs TippingPoint has always put huge effort into ensuring a healthy mix of established and emerging talent at their events, and this is also reflected in the commissions. They are planning a big gathering this summer Doing Nothing is Not An Option, including the chance of commissions, at Warwick Arts Centre, focused on the performing arts.

Finally – here is a hat tip to a (growing) band of communications rather than arts focused initiatives that are working more directly, but also creatively, to develop communications and policy that can help society walk more lightly on the Earth. These spring to mind: Climate OutreachCreative Carbon Scotland; Do the Green Thing;  consultancy Futerra; and Julie’s Bicycle . Although they are diverse in terms of audience and approach these bodies are pretty consistent in arguing that addressing climate change is also generally going to make the world a better place. This was a strong signal coming out of the work Renata Tyszczuk and myself did with Andrew Simms and the new economics foundation around the Interdependence Day project and our book Do Good Lives Have to Cost the Earth? (spoiler alert: our answer is no…). So a last credit to the ‘producers’ (though they didn’t carry that title) then based at the new economics foundation who made that book and the related reports and events happen: Corrina Corden and Ruth Potts.

News-based climate comms are another whole topic, but for now I would point to the brilliant Carbon Brief, Energy and Climate Information Unit and Climate News Network. All serve distinct needs and audiences. Academics and policy people can learn an awful lot from their combination of pace, clarity, and a sense of a good story.

Now if you want a break from thinking on climate change then do sign up for the Free Word Centre’s free words, or get the twitter feed. A simple reminder of human diversity and ingenuity. It brings cheer and stimulus any day of the week. Those are the qualities that might just get us all through the next hundred years in reasonably good shape. So long as we have some good producers.

Today’s word is, fittingly, tausendsassa:

Screen Shot 2016-01-28 at 15.44.00

Free Word Centre’s ‘Free word of the day’ 28-1-16

Posted in climate change, culture and climate change, media and environment, Museums and galleries, Uncategorized

From steam to solar: a 160th birthday present for our Midland Clock Works

Barra clock

Clock on the Catholic church, Our Lady of the Sea, Barra, made at the J Smith & Sons Midland Steam Clock Works Derby in the early 1890s

I represent the 5th generation of the Smith family on the board of one of the best known names in public clockmaking globally – Smith of Derby Ltd. Through the hard work and skill of everyone involved, and steady and patient investment in everything from training and R&D, to new talent and infrastructure, the company has reached its 160th anniversary year. And we have just given ourselves a birthday present in the form of some new kit that will reduce our bills and our reliance on fossil fuel based energy. To agree to invest wasn’t easy when there are so many other more immediate concerns.  But we are proud to report on the first big measures. Today’s press release appears below.

Carbon Brief,  ECIU and Business Green are the place to go to keep up with the detail in policy debate, but for our part I’ll just say that we are proud to be pioneers amongst traditional engineering SMEs in taking these steps. It is tempting to add  further comment on the ‘peculiar’ state of national energy policy, particularly in the wake of the UN climate agreement in Paris, but enough perhaps to say that the board agreed investments in solar PV, LED lighting and a new heating system within an environment that encouraged these moves. Will other SMEs or larger companies follow our lead with so much uncertainty and apparent contradiction in energy policy? The signals from our meetings for any government are: make  investment in long term energy savings and non-fossil fuel energy sources the easy decision. That means getting pricing/taxing/subsidies right and nurturing the skills and businesses that support low and zero carbon infrastructure. And make finance easily available to companies to cut consumption and, where possible, expand renewables.

We wouldn’t have been able to make the investments we have without incentives that at least match those that support fossil fuel based energy. We’ve a great deal more to do in our business to reduce our environmental impacts and costs, but this is a good start. Thanks to everyone – from past politicians; policymakers and journalists, through to present day entrepreneurs and their teams (such as Custom Solar) – who have made it possible for us to celebrate the start of our 160th birthday year with a solar powered spring in our step.


Smith of Derby’s new life in the sun


Media release

5th January 2016

For immediate release

Clockmakers Smith of Derby goes green with solar installation

LED lighting and other sustainability measures also being used

For over 150 years, the world-leading clockmakers Smith of Derby has been at the forefront of engineering innovation, creating stunning timepieces for interior and exterior space.

Now it is taking the lead in environmental consideration, having invested heavily in an array of solar panels on the roof of its clockworks, and taken other measures to reduce its demand for energy.

The panels cover around half of the company’s electricity needs, and Joe Smith, Director, said that it underlined its commitment to reducing the environmental impact of the business and making a contribution to tackling climate change.

He said: “The move is a significant investment but it demonstrates that we are among the leaders in trying to be more efficient. It reminds everyone that we are long-term thinkers.

“We constantly look to the future in terms of product, skills, innovation and the way we run our enterprise, and going partly solar-powered is one way of helping us prepare for the challenges that lie ahead.”

188 panels have been installed at the company’s head office in Alfreton Road, Derby, with any electricity not used being sold to the National Grid.

Professor Smith said the move can also help insulate Smith of Derby against unstable energy prices, adding: “We can flick on the lights, fire up the computers and turn on the lathes knowing that we have significantly reduced both local pollution and global carbon emissions from fossil fuel derived electricity.”

But he also stressed that introducing a big slice of renewable energy supply is only half the job. “It is just as important that everyone in the business work to reduce energy demand. All this helps to make a company more profitable and robust,” he said.

The company has also introduced a new heating system and LED lighting that go hand in hand with the investment in the solar panels, and will be on the lookout to cut energy waste further in the months to come.

He said that the family-owned company’s reputation with major developers and architects was also a factor.  The investment helps to demonstrate that it attends “to everything from health and safety and environmental policy to the same degree that they might expect from major international firms. In other words this is just one of the ways in which we can show that we are in all senses a ‘good company’.”

He said: “In the second half of the nineteenth century one John Smith of Derby was so proud of his company being steam driven that he added the fact to his marketing and the brass plate on his clocks: ‘J Smith and Sons. Midland Steam Clock Works. Derby’.

“More than a century later we are equally proud of going (partly) solar powered. John Smith 1st was an innovator and a leader. Our history and our actions today show that companies of any size can thrive by investing for the long term.”

Matthew Brailsford, Managing Director of Custom Solar, which installed the system, said: “We are extremely proud to count Smith of Derby as a client as for us it personifies the perfect attitude towards a sustainable future and energy generation. When a 160 year old business looks to the future it is truly inspiring. It makes me very happy to say we will stand by the nation’s leading clock makers, repairers and restorers for the next phase of their history.”

For more information please contact Nick Britten, Another Voice Public Relations and Media Management on 01332 258359 or email

Notes to editors:

  • Smith of Derby creates, builds and maintains over 4,500 clocks worldwide. The 160 year old company’s iconic time pieces include in the UK St Paul’s Cathedral, the Emirates clock and the Swiss Glockenspiel in Leicester Square, and abroad The Customs House in Shanghai and Waldorf Astoria in Ras Al Khaimah, UAE.
  • Solar panel details: System Size: 49.92kWppanel manufacturer: Seraphim SRP-260-6PB. Inverter Manufacturer: Samil Power Solar Lake 17000TL x 1 & 25000TL x 1Estimated System Annual Performance: 45,286 kilowatt hours. Estimated System worth over 25 years: £323,448. CO2 Savings per annum: 24,001 kg
  • Custom Solar is a renewable energy company specialising in commercial scale solar, with head offices in Chesterfield we are ideally placed to support and maintain our clients in the Midlands. Founded in 2010 Custom Solar have worked to achieve worldwide recognised accreditations in ISO 9001 and 14001 and have just been named the Derbyshire Times ‘Environmental Business of the year for 2015’.


Posted in Uncategorized

An Immodest Proposal for COP21: Go Naked Into the Conference Chamber

cut carbon © steve russell 21 11 15

Cut Carbon, ©Steve Russell, 2011

I’ll be spending the next two weeks in Paris at the UN COP21. I can’t help feeling these climate talks would move forward more purposefully if the world’s negotiators went into the conference chamber naked (no cameras?). This thought is inspired by Nick Humphreys’ 1982 essay An Immodest Proposal, which I quote from at length below.

The COP21 climate talks are just the latest step in a two decade process that is trying to understand who and what is vulnerable, and who is responsible, for climate change. Diplomats are trained to represent their national interests as effectively as possible – to enter a negotiation armed to make the best deal (for them). This tends to result in ‘lowest common denominator’ outcomes, and a steady refrain of ‘too little too late’ from campaigners and more.

But climate talks mess with the established logics and craft of diplomacy. Climate politics is about expanding the boundaries of ethical and political community – above all into the future. The only other issue I can think of that closely relates to these global level future threats is nuclear proliferation. I was one of many in my generation that grew up with a very real fear of nuclear annihilation. Literally nightmare inducing. The threat hasn’t gone away – indeed I consider that it is a more urgent concern than climate change, even though most of my professional life and more is taken up with environmental change issues.

But we did take a few steps back from the edge in the late 1980s and early 1990s. One of the most inspiring books I read as teenager was Robert Jay Lifton and Nick Humphreys’ anthology of writings In a Dark Time (sub titled Images for Survival). One of the most striking (and certainly most funny) pieces of writing within this very rich and brilliantly constructed book is Nick’s own essay. Here is an excerpt:


In 1957 at the Labour Party’s debate on disarmament, Aneurin Bevan declared that he was not prepared to ‘go naked into the conference chamber’. It is a phrase which has been echoed by Tory and Labour defence spokesmen alike; something similar was said at the Liberal Party conference in September 1981. But what was it that Bevan had to hide? Bevan came into the world naked, and naked he left it. Why should he have been afraid to go naked into the conference chamber to discuss matters of global life and death? What he had to hide, as much from himself as from his adversaries, was nothing less than his humanity.

Of course, by the rules of the game he had to hide it. For no naked human being, conscious of his own essential ordinariness, the chairseat pressing against his buttocks, his toes wriggling beneath the conference table, his penis hanging limply a few feet from Mr Andropov’s, could possibly play the game of international politics and barter like a god with the lives of millions of his fellow men. No naked human being could threaten to press the nuclear button.

So I come to my proposal. Our leaders must be given no choice but to go naked into the conference chamber. At the United Nations General Assembly, at the Geneva disarmament negotiations, at the next summit in Moscow or in Washington, there shall be a notice pinned to the door: ‘Reality gate. Human beings only beyond this point. NO Clothes.’ And then, as the erstwhile iron maiden takes her place beside the erstwhile bionic commissar, it may dawn on them that neither she nor he is made of iron or steel, but rather of a warmer, softer and much more magical material, flesh and blood. Perhaps as Mr Andropov looks at his navel and realises that he, like the rest of us, was once joined from there to a proud and aching mother, as Mrs Thatcher feels the table-cloth tickling her belly, they will start to laugh at their pretensions to be superhuman rulers of the lives of others. If they do not actually make love they will, at least, barely be capable of making war.


In full: Chapter 18 of “Consciousness Regained”, by Nicholas Humphrey, Oxford University Press, 1983 (first published in Sanity, June 1982).

I strongly recommend having a look at their In a Dark Time anthology if you can. The opening quote comes from John Donne: ‘What if this present were the world’s last night?’ A thought that does sharpen your wits. The closing quote is the one that gave them the title of the book, and comes from a Theodore Roethke poem: ‘In a dark time, the eye begins to see.’

A few years after losing track of my treasured copy I was fortunate to find myself sharing an allotment with my near neighbour Nick Humphreys. He kindly gave me a new copy. Hard back this time. You can’t borrow it.

I no longer find appeals to ‘future generations’ and ‘my grandchildren’s children’ do much work for me, and there’s a psychology literature to suggest they don’t achieve that much for others either. But I do think negotiators and politicians might accept that they are part of a much bigger human family if they left their threads at the door.

Posted in climate change, risk, Uncategorized

Good news on consumption: people don’t trash the planet just because they get richer

Press release from my latest paper written with Tomáš Kostelecký, and Petr Jehlíčka


IMG_0331 (1)

Pleasures of the Czech table, Tereza Černá

A paper published today in Geoforum finds that Central and Eastern European societies point to how we can make some parts of our food system more sustainable. ‘Quietly Does It: Questioning assumptions about class, sustainability and consumption’ shows that despite the middle classes of Poland and the Czech Republic getting considerably richer over the last twenty years they still want to find the time to grow and share home produced food.

The standout statistic is that around 40% of all social classes – urban and rural – in Poland and the Czech Republic grow up to 40% of their own fruit and vegetables. Crucially, they aren’t doing this to ‘save the planet’ but rather because they enjoy it, they trust it and they like to share stuff. Hidden in these facts lies a gemstone for discussions of sustainability: people don’t necessarily trash the planet just because they get richer.

The paper notes that officials in the region often consider these practices to be happening ‘in the wrong place and the wrong time’. These growers aren’t following the script in terms of western expectations of patterns of development. And this is a lesson that could be of far wider significance as the middle class grows across the Global South. So, it turns out that sometimes, progress towards sustainability is more like gardening than rocket science.

The article is freely available until the end of January from:

After that time a pre-publication draft can be downloaded from

Contact: Prof. Joe Smith, Dept of Geography, The Open University,

00447879056481 /

@citizenjoesmith /

Cite as:

Smith, Joe, Tomáš Kostelecký, and Petr Jehlíčka (2015) Quietly Does It: Questioning assumptions about class, sustainability and consumption, Geoforum 67 223–232

A five minute audioslide summary of the paper is also available.

One of the team, OU geographer Petr Jehlíčka, presented a keynote based on the paper in Prague this July working to the title: The Invisible Gardener: Why Key Sustainability Lessons from the East are Being Ignored.

Some quotes from the paper:

‘Our exploration of what we frame as the practice of ‘quiet sustainability’ amongst middle classes in Central and Eastern Europe (CEE) is intended as more than a modest correction: we believe it helps to nurture a more accurate, and in some senses more optimistic, account of how progress can be achieved towards more sustainable societies. It poses an important question: need it be assumed that periods of rapid economic development, and the related expansion of middle classes, in emerging economies necessarily follow a Western pattern of development, with (attendant) high levels of consumption?’ (223)

There is evidence of entrenched views about the relations between class, development and consumption that inform policy directions, but also underpin pessimism about achieving more sustainable human inhabitation of Planet Earth. This framing in terms of a class–sustainability–consumption conundrum ensures that any discussion of economic development is tightly bundled with hazards that reach far across time and space. It is assumed that climate change, biodiversity loss and resource depletion are all intensified’ (223)

We want to note that the simple pleasures and virtues of food self-provisioning and sharing beyond any reference to market techniques or logics have gone on under the noses of one of the most assertive and fast paced insertions of a market economy, and attendant development of a middle class, that the world has ever seen. (224)

‘The ‘wrong’ time, the ‘wrong’ people and the ‘wrong’ place’: Prior to our research the main explanations in the policy and research literature for high levels of FSP are that these are ‘survival strategies of the poor’. It had been assumed that the emergent middle classes would fall into line with their western cousins and pursue primarily supermarket-supplied food provision. The most attentive listener at any of our presentations of this work consulted for Tesco…

‘(T)hese practices matter not because they represent an alternative economic system, but rather a significant (in terms of both environmental and social sustainability) parallel system to whatever the political-economic frame of the time is – be it state socialism or market capitalism. As such it offers an interesting comment not just on discourses of sustainability, but also of resilience.’ (227)

‘Our research demonstrates that a significant proportion of the middle classes of Poland and the Czech Republic have behaved in an ‘unexpected’ way. Despite the increasing wealth and diversification of leisure opportunities for the rapidly expanded middle class of CEE many of them continue to grow and share a sizeable proportion of their own food, and tend to do so in an environmentally beneficial manner.’ (230)

‘These emergent middle classes are demonstrating that the everyday lives of people who have achieved what, only a few years earlier, would have been considered unimaginably high levels of mobility, security and choice relative to their own and/or their parents generations’ prior experience, continue to want to grow, eat and share their own food. As our discussion of class in post-socialist CEE showed, the postwar experience of state socialism means that the middle classes in this region are in an important sense newly-formed. But while many of their new life experiences of, for example, leisure, travel, work and shopping, are part and parcel of an identity that ‘fits’ with what social scientists and marketing analysts anticipated, the dogged commitment of a significant minority to FSP qualifies western assumptions about the course of development.’ (231)

‘we have found that it is in the relationships around the nurturing and sharing of produce and skills as much as in the getting and consuming of food that the significance of these practices lies, both for the practitioners and the world beyond.’ (231)

‘…attention should be given to virtuous and ‘civil’ behaviour that doesn’t set out to be considered as such.’ (231)

‘The middle-class food self-provisioners of post-socialist CEE have been defying the expectations of government officials, marketeers and researchers. Roughly forty per cent of them are producing roughly forty percent of some types of their own food (e.g. potatoes; soft fruit; eggs). These consumption practices are happening ‘in the wrong time and the wrong place’. In terms of assumptions about economic development, class formation, and anticipated behaviours, they are being practised by the ‘wrong people’ (that is, by all social classes, by urban and rural, and across all age groups). From the point of view of the architects of post- socialist transition the fact that the middle classes continue to grow their own food almost has the status of deviance.’ (231)

‘Far from being a ‘survival strategy of the poor’ FSP helps practitioners to nourish and represent their own identity, and to tend to their family and friendship relationships and networks. The environmental benefits are rarely considered explicitly by the practitioners of FSP, though they are tangible. Scaled across all developed societies, and supported by some appropriate parallel policies (e.g. surrounding land use and transport planning, access to and rights over land for growing and the support for access to skills and tools) Poland and the Czech Republic show how FSP can make a significant contribution to food security, public health and social cohesion. These practices generally result in reduced resource consumption and pollution. While they are linked to frugality and thrift (Crang and Hughes, 2014), they are not necessarily related to virtues of necessity but rather of abundance, enjoyment and exuberance – or, in short, of the ‘good life’. The food self-provisioners of post-socialist CEE have sustained a linked set of values, practices and purposes that carry environmental and social benefits. These continue outside the market, beyond the state, and with almost no reference to the formal institutions of civil society. This quiet sustainability is equitable, impactful and carries multiple benefits, while requiring no state or market interventions.

The case demands that the research and policy communities take more notice of these quietly significant aspects of everyday life, and invites consideration of what might be achieved by paying more attention to the everyday practice of quiet sustainability. This requires sensitive attention to people’s experience of pleasure, sharing, challenge and the demonstration of skill in a range of fields. This opens up possibilities for nurturing sustainability in new ways in some key areas of environmental impact such as how we get access to what we need and want (transport), how we dress (consumption) and how we make our homes comfortable (energy). It also helps support a sense that sustainability is not so much a future state to be achieved as a strand of lived experience that already exists in the past and present.’ (231)

Quotes and references from previous articles coming out of this research project:

One of the first findings was that

(m)ainstream political discourses both within these countries and the EU have tended to see the trajectory of CEE countries as fixed – locked into a linear temporal and developmental trajectory towards a Western neo-liberal modernity. This modernity rests on comforting assumptions about the symbiotic relationship between democracy, economic development and the expansion of a prosperous electorate (figured as middle class). (Smith and Jehlíčka (2007) 395)

We concluded that

‘(t)hese biographies demonstrate self-determination that is beyond the reach of a narrow account of a transition to a prefigured Western economic and cultural form. These everyday food practices either revise, or are independent of, Western-style corporatized food systems. They… assert a food culture, politics and hence economy that is more than purely capitalist-economic, other than ‘transitional’; one that is diverse and open to change’. (Smith and Jehlíčka (2007) 408)

It was important to test our hypothesis that the dominant explanation of food self-provisioning was faulty. We found that:

‘far from being a coping strategy of the poor, food self-provisioning in the post-socialist context can be a multifaceted activity for which its practitioners (who are quite evenly spread across income groups with the poor slightly underrepresented) have a diversity of reasons for participating in this practice, with hobby/recreation being the most important one.’ (Jehlíčka, Kostelecky ́ and Smith (2012), 221)

We coined the term ‘quiet sustainability’ to try to put a name to something subtle but important that both economists and ‘alternative food networks’ researchers seemed to be missing:

‘The quiet sustainability of Europe’s food self-provisioners, and the extensive networks of sharing that spur from their work is not a programme to be implemented, a future ambition for society or an exceptional contrast to the norm. Rather it is a quiet but purposeful parallel to the market economy of food. It inhabits family and friendship, work and neighbourhood net- works, rather than seeking to challenge or mimic economic institutions. This may go some way towards explaining why FSP in CEE has received so little attention from those scholars and activists who seek examples of sustainable food politics and ethics that do not ‘contribute to the production of neoliberal subjectivities’ (Guthman, 2008, 1181)’. (Smith and Jehlíčka, (2013), 155)

‘(t)he value, power and reach of these practices seem to lie precisely in the fact that they allow parallel and overlapping narratives about families, networks, competencies and relations with nature. They are not a replacement or an alternative to the mar- ket economy of food, or a response to its environmental or social failings, but rather a vivid demonstration that that is only part of life.’ Smith and Jehlíčka, (2013), 155)

References for previous publications related to this project:

Jehlička P., A. Tickle (2004) Environmental implications of Eastern enlargement: the end of progressive EU environmental policy? Environmental Politics, 13 (1), pp. 77–95

Jehlička P., T. Kostelecký, J. Smith (2008) Food self-provisioning in Czechia – beyond coping strategy of the poor: a response to Alber and Kohler’s ‘Informal Food Production in the Enlarged European Union’, Social Indicators Research (2012)

Jehlička P. and J. Smith (2011) An Unsustainable State: Contrasting Food Practices and State Policies in the Czech Republic. Geoforum 42 (3) pp. 362–372 doi:10.1016/j.geoforum.2011.01.005

Jehlička P. and J. Smith (2011) An unsustainable state: contrasting food practices and state policies in the Czech Republic, Geoforum, 42 (3)), pp. 362–372

Jehlička P. and J. Smith (2012) Shelf Life: Food and Sustainability after Socialism.” In R. Tyszczuk, J. Smith, N. Clark and M. Butcher Atlas: Geography, Architecture and Change in an Interdependent World, pp. 56-63 (London: Black Dog Publishing)

Smith J. and P. Jehlička (2007) Stories around Food, Politics and Change in Poland and the Czech Republic. Transactions of the Institute of British Geographers 32 (3) pp. 395–410 DOI: 10.1111/j.1475-5661.2007.00258.x

Smith J. and P. Jehlička (2013) Quiet sustainability: fertile lessons from Europe’s productive gardeners, J. Rural Stud., 32 (2013), pp. 148–157


See the articles themselves for full acknowledgements of funding and research assistance.

Posted in Uncategorized

Learn and Live


Open University graduation ceremonies always choke me up, but this was certain to be a big one for me. Last October my mother, an OU student, learnt that she would die within a year. She was magnificent about it. Life is terminal as they say, and her last breath was on 30th December after an odd but surprisingly happy Christmas with all generations of the family around her.

She grew up on the wrong side of the tracks in a paper mill town in Ontario. There were four dependents hanging off her mother’s three part time jobs, and some other very difficult experiences thrown into the mix. School didn’t go so well for my mother. But she always loved reading and always wrote a really great letter. So in her mid seventies she quietly ordered an OU prospectus and signed up for the Humanities foundation module. Her objective, sixty years after leaving school, was to scrape a pass. This she achieved (despite there being a little too much feeling in her Stalin essay). She had always derived enormous satisfaction from the progress of her family, but never paid much attention to her own.

Passing just one OU module transformed her sense of herself and her own intellectual worth. A few days after she learnt of the terminal nature of her illness I asked if there was anyone she’d like me to be in touch with at the OU, such as the Tutor of her second module… (the rest of my sentence would have been, you know, about having her studies disrupted by imminent death…). She interrupted me – ‘yes actually could you do that? There’s no way I’m going to get the first Assignment in on time with all this going on’. I’m certain she had a better quality of death because of the confidence she gained from studying.

I went to a university that despite an 800-year history has only recently permitted women to hold full degrees. Yesterday’s graduation ceremony saw our new Chancellor Martha Lane Fox give an Honorary Masters degree to Jenny Dawson, social entrepreneur and founder of Rubies in the Rubble, for her services to ethical business. Martha and Jenny both enthusiastically praised the achievements of the graduates and their families. The hand-blistering clapathon saw the packed Barbican theatre congratulate, amongst hundreds of others, a mother of nine children, a fifteen year old young man (youngest ever graduate at the OU), some people of my mother’s vintage and plenty of people in between.

The heckles are always the best bit, from a child’s ‘I’m proud of you Dad’ through to a loving but heartfelt ‘about time too’ from a long-suffering OU spouse. It remains Britain’s biggest and most diverse student community by a very long chalk, and the OU plays a huge role in building people’s confidence, skills and capabilities. A combination of quality and openness is at the core of these thousands of life changing experiences.

I’ll return to work with a spring in my step. But these are threatening times. Everyone in the OU is working to uphold our core principles, but the current policy and funding environment presents massive challenges. So here is a plea to the UK’s political leaders at a critical hinge point in higher education policy: recall the imagination, creativity and boldness that created such a brilliant institution as the Open University. Instead of creating huge headaches for us, work to find ways to invest in learning that is guaranteed to be open to everyone.

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Less climate – more action

Less climate – more action

These slides form the basis of my contribution to the Sheffield Green Commission’s session on communication etc. I aim to put together a post based on this if time allows to pop up here.

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What’s stopping us? Acting on climate change will make life better

see you tomorrow © steve russell oil on tablet map background 98cm x 98cm

see you tomorrow © steve russell

Here is the text of an email interview exchange with Daniela Klebis, who is Executive Editor of a new Brazilian Magazine ClimaCom. The Portuguese version appears here, but I’ve pasted our exchanges (unedited) below. Daniela got in touch after reading essays in our Culture and Climate Change: Narratives book. When time allows I’ll trim down my essay into a post.

DK: We observe an overwhelming presence of climate crisis being present on media, arts, politics. However, it seems that suddenly people just become static, as if the problem is bigger than their possibilities. Too much talk and little action. What story about climate change have we been communicating? And why are these stories no longer having effect?

JS: Opinion polling shows that all over the world most people know about climate change, are aware that scientific research sees humans as largely responsible, and they are mostly concerned or very concerned about it. This level of awareness and concern is a great achievement of the media. But the story has become static when it comes to actions. And too often we try to  motivate people with fear. That tactic will not motivate people any more. It is important to connect climate change actions – whether to mitigate or to adapt – to other daily concerns people have. So we should be talking about making travel easier by getting cars off the road and supporting other ways of getting access to what we want; we should be talking about improving housing and workplaces to make them more comfortable (cool or warm) while using less energy. We should be talking about how designing cities, towns and buildings to cope with extreme weather can make them better places to live in any case.

DK: Could you talk a little about your work on the cultural politics and the six inter-relating features that structures the climate change stories? How can we turn down the volume and get everybody to talk?

JS: If we see climate change as a risk problem rather than a debate about facts then we can all come together to debate whether we are willing to take big risks and do nothing, or whether we will give permission to politicians to protect us and future generations from major risks. For a city like Sao Paolo there are some huge risks.  climate change and deforestation of the Amazon are interrelated. That sounds abstract to most people, but in Sao Paolo that means something very real: the water supply being cut off for a city of 20 million people. So people need to engage with stories about protecting forests, about using water wisely, about having fair water supply systems. And Brazilian people might reasonably expect to be rewarded by the whole planet for looking after the global air conditioning unit that is the Amazon.

DK: How can we make a communication that is able to generate new affections and problematize the importance given to concepts as adaptation and mitigation when it comes to climate change?

JS: Climate change is shifting the boundaries of ethics and politics: for the first time in human history we are starting to make policies and laws that represent future generations, and the non-human world. But the policies and laws are just the visible expression of what I believe is a much deeper process, whereby we are inviting future humans and also natural habitats and species into our ethical and political community. Obviously we can’t do that literally, but I see signs that we are starting to do that in other ways – including in the arts and popular media. Just to say to your kid or your granny in a joking way ‘turn that off to save the planet’ is to represent distant others in a new way.

DK: The reports published by governments and scientific institutions – the IPCC is the most well-known example -, should be considered as a relevant element for the research networks on climate change; their divulgation to the general public generates expectations as they have had plenty of space in the media.  How to think of them in terms of their effects and potential for communication and engagement with the issue?

JS: Science reports don’t make good news stories – even these important summaries of the best available knowledge on climate change struggle to capture the imagination. But I think we need now to recognise that the science has done its job: it has delivered a risk assessment (and that assessment hasn’t changed in its headline messages for 25 years). Now the stories need to focus on risk management. and those stories should not be ‘stories about climate change’ but rather stories about housing, taxes, about whether businesses or political leaders are doing their job or failing us in terms of having good energy, water, transport or biodiversity policies. In this sense the best thing is not to see more climate change stories, but rather to sense that climate change is embedded in many more ‘mainstream’ stories.

DK: The science of climate modelling  is a story of uncertainties, a science that tries to find some order to explain one moment  in a world in constant change. Why is it so hard to communicate these uncertainties as part of a process of understanding of our environment? 

JS: Climate change is one of the most complex intellectual challenges humanity has set itself. Nevertheless the headline responses from the science community are remarkably consistent. We should allow the science to be just interesting – it shouldn’t be seen as controversial. The political decisions are a different thing: we need controversy around all that – we need many more people to feel willing to debate and challenge whether our actions to decarbonise, to reduce methane from agriculture, to make our settlements more resiliient are the right ones.

DK: I’d like to ask you the question you propose at the beginning of the publication Culture and Climate Change: what new narratives about climate change might need to be nurtured? How can we frame climate change and engage the public with what’s effective real in the world without appealing to dramatic certainties and drastic images of polar bears dying in the melted arctic?

JS: The most important thing in my view is to convince people that action on climate change will take us to a better place than the place we are now. Fossil fuels have made us lazy in the way we live with technology. For 60- years fossil fuels have  given us: traffic congestion; a food industry that results in obesity; badly designed houses, offices, factories and cities. Climate-friendly buildings, cities, travel and food systems can give all of us a much much better quality of life. What is stopping us?!

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